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Projection experiments

Today was an important day in the development of my performance. From early discussions, I knew I wanted to use a projection of myself, however felt apprehensive as to whether it would work. From trials in the studio we experimented with different places and ways of projecting my image. We first projected straight onto the glass window which worked well, however would limit my performance space as the image was fixed to the glass, minimizing the ways in which I could interact with it. We then moved the image onto  a white sheet which could be hung from the grid.

 

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(Taken by myself, 06.05.14)

The final effect would of course be more complete with the cloth stretched and hung from above and the projection scaled to size. This would allow me to interact with the projection much more freely. Now I know the projection works, I can finalize my script and film the finished projection.

Inspiration

This morning I stumbled upon a quote which perfectly sums up my thoughts and feelings which drove the idea for my solo performance. I am unsure as to who wrote the quote, but am considering using it in my piece as it perfectly describes my own personal struggle between my public and private self and is also something I believe many others would relate with as well.

 

everyone-sees-who-i-appear-to-be-but-only-a-few-know-the-real-me-you-can-only-see-what-i-choose-to-show-theres-so-much-behind-this-smile-you-dont-even-know (Wisdom Team, 2012)

Works Cited

Wisdom Team (2012) A Lifetime of Wisdom [online] Available from http://alifetimeofwisdom.com/self-respect/you-dont-really-know-me/ [Accessed 25 May 2014].

‘I’m only Human’

Even previous to the discovery of Laurie Anderson and her work intertwining song with multimedia and speech, music and singing was always something which inspired me and therefore an element I wanted present in my performance. Songs for me are the most beautiful and direct way of creating emotion and feeling and so felt would work well with the themes I wanted to explore. The music of Christina Perri has been a great influence to my work, with many of her songs creating part of the performance. At the moment I am toying with different idea’s for a title for my piece and the main thought is ‘Human’ after 0ne of her sounds with particular prevalence for my work. I will not be performing the entirety of her songs; instead I shall use snippets and experiement with the way in which they will be sung and whether they will be live or pre-recorded. Here is a link to one of her songs, Human:

 

The lyrics from this which I will be singing a cappella are:

 

But I’m only human
And I bleed when I fall down
I’m only human
And I crash and I break down
Your words in my head, knives in my heart
You build me up and then I fall apart
‘Cause I’m only human

 

These words beautifully complement my performance in which I try to explore the notion of public/private self and the perfection many of us crave; we are all human and will therefore make mistakes and will undoubtedly go through periods of lows and difficulties. Her songs explore the emotions we go through as human beings as she transforms her life struggles into the beauty of music, just as Spalding Gray transforms his struggles into performance. Other songs I will sing include,’ I believe’ and ‘The Lonely’.

 

Works Cited

 

AZ Lyrics (2014) [online] Available from http://www.azlyrics.com/lyrics/christinaperri/human.htm [accessed 17 April 2014]

Youtube (2014) [online] Available from https://www.youtube.com/watch?v=r5yaoMjaAmE [accessed 17 April 2014]

Decoration of the Public Self

For my performance, I intend there to be a vast difference in the presentation of the public self outside Studio 1 and the private self inside the performance space. To create the juxtaposing atmosphere between the two selves I have been looking into different ways to decorate the public space. Today I went to Dunelm Mills to explore the possibilities of fabrics for the curtains which I will use at the start of the performance. I was drawn to the artist Pierre et Gilles whose extravagant art is the inspiration behind the kind of design I want for my screen.

pierre

 

The extravagant  flowers and butterflies in this image reflect the kind of design which would be perfect for a screen. I want a design which is beautiful and encompassing of the happy, bubbly personality of my public self. I struggled to find something of the same extravagance, however found some prints which could work. The following fabrics include flower and strawberry designs.

photo 1 photo 2

 

 

photo 3

 (Fabrics, taken by myself. 17/04/2014)

 

Next I will need to research more designs and measure the space to see how much material I need. To further decorate the space I will add brightly coloured throws and cushions for the audience to sit on, fresh flowers and flower petals, fairy lights and personal soft toys which will give the space a cosy yet positive vibe.

 

 

Works Cited

[online] Available from: http://www.pinterest.com/chewie101/alice-in-wonderland/ [accessed 17/04/2014]

The tulips are too red

Through discussions in class, I was introduced to the American poet Sylvia Plath whose work famously talks of her depression and attempted suicide. She turned the tragedy of her pain into beauty through the words of her work. Her work is a real inspiration for me when trying to create my own poems which will be spoken in my performance. Here is an extract from one of her poems, Tulips.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle : they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their color,
A dozen red lead sinkers round my neck.

 

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

 

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

 

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
(Poetry Foundation, 2014)

 

I have also read extracts from her novel, The Bell Jar, and a particular section jumped out at me. The words beautifully explained how I often feel when overtaken by depression and I knew I would have to include them into my performance.

I guess I should have been excited the way most of the other girls were, but I couldn’t get myself to react. I felt very still and very empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.  (Plath, 2003, p.4)

 

Works Cited
Plath, Sylvia (2004) The Bell Jar. England: Harper Large Print.
Poetry Foundation (2014) [online] Chicago: Available from http://www.poetryfoundation.org/poem/178974 [Accessed 15 March 2014].